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"Storm Clouds" is finished.

My last years of teaching were spent at a rural High School on the Bay of Quinte and I thoroughly appreciated its rural setting. A couple of times every year I found myself gazing upon one of the most refreshing and awe inspiring scenes imaginable. These were the rare occasions when the area around the school was bathed in sunlight while a pretty awesome storm was brewing to the south, over the bay or Lake Ontario. In many ways the drama of the contrast was spectacular.

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"Resting Pair" has been sold

This year’s Artist Project was quite the show. This was my 3rd year attending and it was, by far, the busiest. Where they said that in the past the usual attendance was 15,000 visitors, I have no doubt that it exceeded 20,000 this year.

While I did not do as well as last year, there was still a lot of interest in my work. My paintings are a real contrast to most of what is exhibited in this hugely modernist show. There is always a segment of the audience that appreciates the “romantic” view of our rural southern Ontario that form the backbone of my collection.

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"Picket Fence" is ready for The Artist Project

It was a struggle but I managed to finish “Picket Fence” in time for the upcoming Artist Project held from Feb 18th to 21st at the Better Living Centre in Toronto. It is a great show, well worth the visit. The site is "www.theartistproject.com"

One of the real joys of living in the older sections of urban Ontario is experiencing the range of splendid colours and textures as one walks the streets, no matter what the season. I love tackling the contrast between architecture and living elements.

billkeast's picture

'Wooded Homestead" is finished.

Over the years, as life became more and more “gadgetized” and , therefore, more complicated, I have come to admire those who have withdrawn to places of rather severe isolation.

There have always those who have lived in rural settings as our urban population has grown and grown but occasionally one sees a setting that looks particularly remote. It seems an idyllic setting until, of course, one needs a quart of milk or a hospital. Still there seems to be something very special about this kind of existence.

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"Snowbound" is finished

After an extended period away from the easel this piece is finally finished. We were on vacation in Ireland for a couple of weeks and then came home to extensive changes in the garden.

“Snowbound” is quite different for me. Rather than creating a little “envelope” in which one finds a slice of the Ontario countryside, this painting seems to open up to a much larger environment. The space seems somehow limitless. At the same time, the feeling of warmth and coziness in such a situation is one that we all share as northerners.

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"Spectacular Day"

The last half of the 19th century saw many small towns and cities in Southern Ontario come of age and with it came an explosion of domestic architecture that found its inspiration in the historic styles of Europe. It was the Victorian era and, as long as it was reminiscent of these styles from the past, anything was possible.

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"Last Days" is ready just in time for the Pelham Art Festival

I remember some years ago talking to a fellow artist at a show who, looking at another artist's work, commented that she had no idea why one would paint barns. I assured her that I knew exactly why a romantic like myself would be enthralled by these structures. Not only does one find a tremendous variety of architectural styles across this country but they are also remnants of a way of life which has all but disappeared. They may not be as old as the pyramids but they too stand as reminders of a way of life long gone.

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